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Isa Genzken Soziale Fassaden. His installations are frames precarious and volatile flows up to the edge of collapse, but always under control. Through sign and implement processes that generate assembly reactions linked in an effort to generate, through repetition of actions that affect, disrupt and break up, the forms in a state of perpetual dismantling and reassembling.

Lives and works in Milan and Berlin. Contemporary Art, Milano On cloud seven, C. The road to contemporary art, stand Changing Role - move over gallery, Roma Adrenalina 1.

Born in Modena He lives and works in Modena and Milano. Fondazione Mudima, Milano Galerie der Stadt Waiblingen Mudimadue Edizioni, Alberto Fiz: Girondini Edizioni, Helmut Herbst.

Mondadori, Giovanni Manfredini: Damm und Lindar Verlag, Berlin, Hanns Kunitzberger Geboren in Salzburg. Kopf gebrannte Tonerde, auf Lindenzweig und Fichtenstamm.

Katalog, Haus der Musik, Verlag Ch. Beginn der Arbeit an Bildnisse und Abbilder. Die Orte der Bilder. Erinnerungen an meinen alten serbischen Freund 65 cm x 49,5 cm Leder und Acryl auf Leinwand, Aus seinen Werken hat er Figuren und traditionelle Malmittel verbannt.

Lediglich die Grenzen des Keilrahmens respektiert er und die Leinwand bleibt seine Grundlage. Seine Botschaften werden durch derartige mediale Variationen gleichsam potenziert.

Bruchhausen, Klaus Duschat, Klaus H. Eine zentrale Rolle nimmt die Auseinandersetzung mit dem Begriff des Raumes ein. Berent agiert dabei vielseitig und legt sich nicht von vornherein auf eine bestimmte Gattung fest.

In den er Jahren war die Auseinandersetzung mit der Farbe Schwarz vorherrschend. Landschaft in der Kunst vom Jahrhundert Kunsthalle Kiel Weltsichten - Schwerpunkt Landschaft in der Kunst Football and contemporary art B.

Installationview from In Between exhibition Hamburg, Alte Oberpostdirektion oil on canvas, xcm, front: Painting in Estonia before Glasnost.

Mehitamine [We are building capitalism. Born in in Tartu, Estonia. Lives in Tallinn, works at the Estonian Academy of Arts as a professor.

Jaan Toomik, video installations. Contemporary Art from Helsinki, St. Petersburg, Russia Mohni , international festival of contemporary art, Mohni island, Estonia Dreams and Conflicts: Dictatorship of the Viewer.

The Photographers Gallery, London Interstanding 2. Riga Art Space, Jaan Toomik. Circulo de Bellas Artes, Madrid Files. Contemporary Art in Culture.

Phaidon Press Limited, N. Thames and Hudson, London After the Wall. Art and Culture in post-Communist Europe. The World of Art in Exit, Desire and Memory.

Jaan Toomik in Bucharest National Museum. Minu munn on puhas. Bimonthly magazine on contemporary art, No. Jaan Toomik and Timur Novikov at I Art in America, May A.

Tomorrow is a new day. Jaan Toomik escapes the stereotypes. Siksi, The Nordic Art Review, no 3, Avlskarl Gallery, Copenhagen s Berlin.

His conceptually based projects vary from Sculpture, Photography, Video, Prints, Performance and deal with shifts in perception and the fluidity of meanings.

Cooper Union for the Advancement of Art and Architecture. Contemporary Caribbean Art, p. Looking to Read p.

VII Heft2, , p. His work has been exhibited extensively in America and Europe, he now lives and works in Paris. Studienaufenthalt in der Villa Massimo, Rom 1.

Steininstallation aus Narvik Granit dim. Poliertes Titan Siebdruck auf Papier, 50 x 65 cm, Edition: Warmes Rot Siebdruck auf Papier, 50 x 65 cm, Edition: Diese Werke bestehen u.

Stedelijk Museum, Amsterdam Haags Gemeentemuseum, Den Haag Stedelijk van Abbe Museum, Eindhoven Galeria Bonino, New York City Renaissance of Optics, Volkshochschule Aachen.

Galeria Bonino, New York []. April , Galeria Bonino. Welten in der Schachtel. Mary Bauermeister und die experimentelle Kunst der er Jahre.

Oktober bis Horno de la Ciudadela. Comisariada por Lorena de Corral. Comisariada por David Barro A window in Berlin.

Madrid A vueltas con la maldita pintura. Una propuesta de Juan Ugalde. Madrid Un disparo de advertencia.

Comisariada po Angel Calvo Melodias Imposibles. Comisariada por Lorena Corral Feria Arco. En la cuerda floja. Tudela Contemporany Art Recinto de la Ciudadela.

Feria de Arte joven de San Salvador. Museo Gustavo de Maeztu. From the age of fourteen she studied painting and drawing with various Iranian masters of pictorial art, notably with Gholem Hossein Nami.

This comprised a video-installation, a painted screen, a group of drawings and some projected films. Statement For several years I have been painting screens.

These screens have, for me, a direct link with the cinema. During the first part of my career, painting affected my films.

Now, in reverse, it is cinema that makes itself felt in my painting. The influence appears most clearly in the way in which the compositions are affected by the idea of cinematic sequences.

The triptychs I made originally have been succeeded by compositions that are screens with multiple panels.

Each element or each panel resembles a sequence in a film. A screen, which gives the possibility of deployment in space, offers important compositional advantages.

In particular, it makes it easier to put together a multitude of ideas that can be read both independently and in combination with one another.

Screen compositions, and the spatial ambiguity that they permit, allow me more and more to produce the interpenetration of painting and cinema that I have always wanted to create.

Museum Klausum aka Klaus Wehner Education: Head from the Hierophilia series. Curated by Museum Clausum: Includes a commision to photograph the three Telfair Museum sites to include in the exhibition.

Supported by a National Endowment for the Arts Grant. I developed the concept from its early stages to the exhibition istallation in the main gallery approx.

This was complemented by an installation of my own work in the Soane rooms of the historic house, the site specific installation: Now and Then, featured 20 photographic prints and the video work Soane Time.

The exhibition was awarded Arts Council England funding for which I applied as an individual artist. Courtauld Institute of Art, London Video installation: The Thing About Museum, Routledge.

Malplaquet House, Diptych 23 in Petry, M. Balancing Figures From a series of mobile sculptures made in Mixed technique — steel, wood, plaster, fabric and wax.

Height — cm Size of each sculpture: Male figure, cm; female figure, cm. A former student of Christian Boltanski at the Ecole des Beaux-Arts, she was, in the late s, interested in multi-disciplinary installations.

This enabled her to make several visits to the United States. While there she worked on a huge video installation project entitled Tell Me About Art, midway between art installation and documentary film.

She was also artist-in-residence at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology MIT where she continued her investigations into the field of digital art.

During a decade, from onwards, she concentrated on projects that made use of new media. However, her interest in materials finally led her back once again to sculpture, installation and painting.

Her recent work consists of mobile sculptures. These are half human beings, half toys, apparently delicately balanced. They evoke moments of suspense, of waiting for something to happen.

This feeling, however, fades with time. The dolls seem calm and resolute, but their movement is limited and they can do nothing about it — their situation seems tragic.

Held by the rod that displays them, her characters are silent and reclusive, watching the world from a distance. If we look for what is Iranian in this work, we should perhaps look at the life of the artist herself — at the things that have influenced her concerns.

Had she not been born Iranian, and without the events that have affected the recent history of Iran, would the same questions have emerged?

Through out my work I strive to question personal identity within an urban environment whilst communicating with the people I photograph. Offering me a years paid Internship at Photoshot where I am currently working full time.

His photographs reflect the colours and composition of everyday life. However, through techniques and devices, he proceeds to trash the absolute realism of photography by subverting the image, literally from within.

By splitting, mirroring and twisting his images, disorientating and unseen depths come to light - engaging the viewers to reconstruct reality for themselves.

Various aspects of his cultural heritage helped foster a strong graphic sensibility and bold playfulness, such as Persian ornamentation, patterns and compositions that can be found in carpets, architecture, traditional mirror works and miniature paintings.

Men of Allah portray the artist trapped in the female figure and disguised in chador robes. Taking off on this farce, Ramin has placed his own portrait himself a thickly bearded man within the guise of a chador-clad female.

Challenging the norms of contemporary Iranian society by digging up its rich, and very often conflicting, cultural history, Haerizadeh offers a resourceful and pointed criticism with his characteristic sense of humour.

The artists shared strong interest in the performative act in relation to the making of visual art, with an intensive focus on the body and its re-presentation.

Flynt, the photographer, works extensively with performance artists and dancers, both as models for his work and as a collaborator with many dance and theater projects.

This is his first collaboration with another visual artist. Spinosa, the painter, works in an extremely performative, quasi-ritualistic fashion, using his own body as the primary carrier of pigment, subsequently altered with hand applied elements.

Additional shooting with completed earlier paintings on both the walls and floor of the studio created additional imagery, and Spinosa was also actively engaged in the making of the photographs through drawing with light via other flashlights , as well as through conventional mark making.

Flynt subsequently edited the photographic images, using many for his own work, often layered or sequenced with found imagery. The modified digital files were emailed to Spinosa, who had them printed out as light-jet prints and then further drew and painted on these already collaborative images.

The conversation continues following an intensive 5 day residency in Berlin, creating a large series of new underlying images that will be developed over the coming months.

Blind Trust installation G. Installationview from Hamburg In Between exhibition front: Rudolf zur Lippe, dipl. Different chairs as Prof. Since Fellow at Wissenschaftscolleg in Berlin.

Simone Pellegrini was born in Ancona, Italy, in He has had 30 solo shows in Italy, in Germany and in France and has participated in over group exhibitions in Europe.

Many of his works belong in museums and private collections. From he teaches visual arts at the Academy of Fine Arts in Bologna.

He lives and works in Bologna, Italy. Apokalips", Grattacielo Pirelli, Milano, curated by G. Email or Phone Password Forgot account?

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